This section mirrors the Cambridge IGCSE 0500 specification, showing the three assessment components and their weightings.
| Component | Paper / Portfolio | Time | Marks | AO focus |
|---|---|---|---|---|
| Reading (Paper 1) | Two unseen texts (literary & non‑literary) | 1 hour 30 min | 80 marks | AO 1 (R1‑R5) |
| Writing (Paper 2 / Component 3) | Directed writing + composition | 1 hour 30 min | 80 marks | AO 2 (W1‑W5) |
| Speaking & Listening (Component 4 – optional) | Two tasks (conversation & presentation) | 15 min per candidate | 20 marks | AO 3 (SL1‑SL5) |
Each AO is broken down into sub‑criteria. The table shows which activities in these notes target each sub‑criterion.
| AO | Sub‑criteria (exam‑relevant) | Note activities that develop the sub‑criterion |
|---|---|---|
| AO 1 – Reading | R1: explicit meaning R2: implicit meaning & attitude R3: evaluation of ideas R4: language‑device identification R5: summarising |
Sections 3–7, practice questions (8‑10), annotation colour‑code, summary checklist |
| AO 2 – Writing | W1: content & ideas W2: organisation & structure W3: style & register W4: grammar & vocabulary W5: audience awareness |
Section 9 (link to AO 2), “Adopt the same attitude” tip, sentence‑variety examples, writing‑task prompts (see end of practice set) |
| AO 3 – Speaking & Listening | SL1: interaction & turn‑taking SL2: pronunciation & intonation SL3: discourse management SL4: range of language SL5: relevance & coherence |
Brief “Speaking‑link” box (Section 9) suggesting how reading analysis can be used in conversation or presentation tasks. |
| Term | Exam‑relevant definition |
|---|---|
| Implicit meaning | The idea the writer suggests without stating it outright. |
| Attitude | The writer’s feelings or stance toward a subject, audience or character. |
| Tone | The overall feeling created by word choice, style and structure. |
| Connotation | Emotional or cultural associations attached to a word beyond its literal meaning. |
| Irony / sarcasm / understatement / hyperbole | Rhetorical devices that allow the writer to convey attitude indirectly. |
| Figurative language | Metaphor, simile, personification, etc., used to suggest deeper ideas. |
| Register | The level of formality or informality appropriate to the audience and purpose. |
| Lexical field | A group of words related by meaning that creates cohesion and can signal attitude. |
“The city streets, once bustling with the chatter of market stalls, now lay silent, as if the very air had grown weary of the endless clamor. Even the lampposts seemed to droop, their once‑bright halos dimmed by an unseen melancholy.”
“When the council voted to cut funding for the community garden, they claimed it was a ‘necessary fiscal adjustment’. Yet, the garden had fed over 300 children last summer and turned a barren lot into a thriving green oasis.”
“The data reveal a steady rise in average sea temperature of 0.3 °C per decade. While some experts dismiss this as a ‘natural fluctuation’, the correlation with increased coral bleaching is undeniable.”
“Marian pressed the cracked photograph to her chest, the edges frayed like the memory of the night they’d promised never to forget. ‘We’ll be fine,’ she whispered, though the tremor in her voice betrayed a fear she refused to name.”
“The latest smartphone boasts a 108‑megapixel camera, yet the battery barely survives a half‑day of moderate use. In an era where endurance should match ambition, this feels like a half‑hearted compromise rather than genuine innovation.”
| Feature | Typical effect on implicit meaning / attitude |
|---|---|
| Loaded adjectives / adverbs | Signal the writer’s evaluation and emotional stance. |
| Irony / sarcasm | Create a gap between literal wording and intended meaning, often to criticize. |
| Metaphor / simile | Suggest deeper connections; shape perception subtly. |
| Personification | Give inanimate objects human qualities, implying attitude toward them. |
| Repetition | Emphasise a point; can convey obsession, urgency or solidarity. |
| Rhetorical question | Invite the reader to share the writer’s viewpoint without stating it outright. |
| Parallelism | Creates rhythm and balance; can reinforce an argument or highlight contrast. |
| Clause‑type variation (relative, conditional, concessive) | Shows sophistication; can soften or strengthen a stance. |
| Register shift | Moves between formal and informal language to affect credibility or intimacy. |
| Lexical field / semantic field | Groups related words to build cohesion and subtly steer attitude. |
| Euphemism / understatement | Softens harsh realities; can imply denial or politeness. |
| Hyperbole | Exaggerates for emphasis; often signals strong feeling or criticism. |
| Structural devices (paragraph breaks, headings, bullet points) | Guide the reader’s focus; can create pauses that affect tone. |
| Short, abrupt sentences | Produce tension, urgency or a detached tone. |
| Long, complex sentences | Suggest contemplation, formality or a measured attitude. |
| Criterion | Marks | What examiners look for |
|---|---|---|
| Identification of implicit meaning | 4 | Clear statement of the suggested idea, linked to the text. |
| Use of appropriate textual references | 3 | Direct quotations, correctly punctuated, with line numbers if required. |
| Explanation of language features and effect | 4 | Accurate terminology; explicit link between feature and meaning/attitude. |
| Evaluation of effectiveness (where required) | 4 | Balanced judgement, supported by evidence, awareness of audience. |
| Summarising (120 words) | 2 | All main ideas retained; tone preserved; within word limit. |
| Clarity, terminology & organisation | 2 | Coherent paragraphs, correct spelling of key terms. |
Draw a central node labelled Text. Branch out to three main nodes:
This visual organiser helps students see the relationships between what is said, what is meant, and how language creates those meanings.
| Syllabus requirement | Current coverage | Gap / short‑fall | Action to close the gap |
|---|---|---|---|
| Full subject‑content map (Reading + Writing + Speaking/Listening) | Reading (AO 1) only | No AO 2 or AO 3 coverage; no three‑paper/portfolio overview. | Add Section 1 (overview) and Section 2 (AO mapping) – completed. |
| Assessment Objectives and sub‑criteria | R1‑R5 listed | Missing W1‑W5 and SL1‑SL5; activities not mapped to sub‑criteria. | Section 2 now includes a detailed AO‑mapping table covering AO 2 and AO 3. |
| Reading content – range of text‑types | Three exemplars (narrative, persuasive, scientific). | Syllabus expects literature, fiction, non‑fiction, discursive essays, reviews, etc. | Added two new excerpts (short story, review/editorial) in Section 5. |
| Language‑device list | Limited list (personification, metaphor, irony, loaded adjectives). | Missing many devices called for in the specification. | Expanded Section 7 to 15+ devices with concise effect statements and colour‑code alignment. |
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