Submit two assignments: one on drama or prose, and the other on poetry.

Cambridge IGCSE English Literature (0475) – Complete Syllabus Overview

1. Structure of the Course & Assessment

  • Four compulsory examination papers (each worth 25 % of the total GCSE grade)
  • Component 5 – Coursework Portfolio (optional) (also 25 % where offered)
Component Content / Format Time & Marks Text‑access rules Weighting in final grade
Paper 1 – Poetry + Prose (Closed book) Two questions: one on a set‑text poem, one on a set‑text prose passage 1 hour 30 min – 80 marks Only the prescribed set‑texts may be consulted 25 %
Paper 2 – Drama (Closed book) Two questions on a set‑text drama (e.g., Macbeth) 1 hour 30 min – 80 marks Only the prescribed drama may be consulted 25 %
Paper 3 – Open‑text Drama (Open book) Two questions on a drama of the candidate’s choice (must be studied independently) 1 hour 30 min – 80 marks Clean‑copy of the chosen drama may be used (no notes) 25 %
Paper 4 – Unseen (Closed book) One unseen prose extract and one unseen poem; two questions (one per extract) 1 hour 30 min – 80 marks No prior knowledge required; only the unseen texts are provided 25 %
Component 5 – Coursework Portfolio (Optional) Two analytical essays:
• One on a drama or prose set‑text
• One on a poem or set of poems from the prescribed anthology
Submitted as a single PDF (no time limit) Closed‑book; all sources must be cited 25 % (only where the centre offers Component 5)

2. Assessment Objectives (AO1‑AO4)

AO What the examiner looks for
AO1 – Knowledge & Understanding Accurate recall of plot, characters, setting, and context; appropriate use of literary terminology.
AO2 – Analysis & Interpretation Insightful examination of language, form, structure and their contribution to meaning and effect.
AO3 – Evaluation & Critical Judgment (including empathic response) Well‑reasoned arguments about the writer’s choices, relevance to the period, and personal or critical response where required.
AO4 – Organization & Language Clear, logical structure; academic register; accurate spelling, punctuation and referencing.

Each component (Paper 1‑4 and Component 5) is marked against the four AOs in equal proportion (25 % AO1, 25 % AO2, 25 % AO3, 25 % AO4).

3. Official 2026 Set‑Text List

Paper 1 – Poetry (Anthology: Songs of Ourselves)

  • “The Tyger” – William Blake
  • “The World Is Too Much With Us” – William Wordsworth
  • “The Solitary Reaper” – William Wordsworth
  • “The Road Not Taken” – Robert Frost
  • “Daffodils” – William Wordsworth
  • “Ode to a Nightingale” – John Keats
  • “The Love Song of J. Alfred Prufrock” – T. S. Eliot
  • “The Soldier” – Rupert Brooke
  • “The Lady of Shalott” – Alfred, Lord Tennyson
  • “The Lamb” – William Blake
  • “The Charge of the Light Brigade” – Alfred, Lord Tennyson
  • “The Rime of the Ancient Mariner” (excerpt) – Samuel Taylor Coleridge

Paper 1 – Prose (Set‑texts)

  • Lord of the Flies – William Golding
  • The Secret Garden – Frances Hodgson Burnett
  • The Adventures of Tom Sawyer – Mark Twain

Paper 2 – Drama (Set‑texts)

  • Macbeth – William Shakespeare
  • Othello – William Shakespeare
  • The Tempest – William Shakespeare

Paper 3 – Open‑text Drama (Candidates choose one)

  • Any drama (published) that is studied independently and approved by the centre. Typical examples: Romeo and Juliet, Hamlet, A Streetcar Named Desire, An Inspector Calls, etc.

Paper 4 – Unseen

  • Two unseen extracts (one prose, one poetry) are provided on the day of the exam; no prior preparation of these texts is required.

Component 5 – Coursework Portfolio (Optional)

  • Essay 1: drama **or** prose set‑text (from the lists above).
  • Essay 2: a poem **or** a set of poems from the Songs of Ourselves anthology.
  • Non‑set texts may be used only with explicit teacher approval and must be comparable in scope.

4. Component 5 – Detailed Guidance

4.1 Assignment Requirements

  • Two formal essays (600–1 200 words each). Minimum 600 words, maximum 1 200 words.
  • Each essay must contain:
    • A clear, arguable thesis statement.
    • Evidence from the chosen text(s) with precise page/line references.
    • Critical analysis that addresses AO1‑AO4.
    • A bibliography in Cambridge style (author, title, edition, publisher, year, page).
  • One essay may be an empathic response (AO3) – personal engagement is allowed, but academic rigour must be maintained.
  • Submit both essays as a single PDF, clearly labelled:
    Name: ______________________
    Centre #: ___________________
    Essay 1 – [Title] (Drama/Prose)
    Essay 2 – [Title] (Poetry)
            

4.2 Marking Rubric (25 marks per essay)

Level Score AO1 – Knowledge AO2 – Analysis AO3 – Evaluation AO4 – Organization
0 0‑4 No or very limited knowledge. No or very limited analysis. No evaluation or personal response. Very poor structure and language.
1‑2 5‑9 Basic knowledge; some relevant detail. Simple analysis; limited depth. Basic evaluation; limited justification. Logical structure but frequent language errors.
3‑4 10‑14 Good knowledge; accurate detail. Clear, well‑developed analysis; good depth. Reasoned evaluation; sound justification. Well‑structured; few language errors.
5‑6 15‑19 Detailed knowledge; insightful understanding. Highly sophisticated analysis; original insight. Highly persuasive evaluation; strong, original justification. Exceptional structure; virtually error‑free language.
7‑8 20‑25 Excellent, nuanced knowledge of text and context. Exceptional, nuanced analysis with multiple perspectives. Outstanding critical judgment; insightful personal/empathic response. Flawless organization; sophisticated, engaging academic style.

4.3 Suggested 12‑Week Programme (covers all components)

Week Focus Key Output
1‑2 Select set‑texts, confirm essay questions, decide whether to take Component 5. Topic‑approval sheet (teacher sign‑off).
3‑4 Close reading & annotation of drama/prose set‑texts and anthology poems. Annotated notes with page/line references.
5 Draft thesis statements and detailed PEEL outlines for each essay. Essay outlines (including AO focus).
6‑7 Write first drafts (≈800 words each). Draft essays.
8 Peer‑review session – exchange drafts, give AO‑specific feedback. Feedback sheets (AO1‑AO4 checklist).
9‑10 Revise essays, tighten argument, ensure balanced AO coverage. Revised essays (600‑1 200 words).
11 Proofread, format, compile bibliography (Cambridge style). Final PDF portfolio (cover page, two essays, bibliography).
12 Submit portfolio to the centre; debrief on exam technique for Papers 1‑4. Submission receipt; personal action plan for upcoming exams.

5. Step‑by‑Step Guide to Writing the Component 5 Essays

  1. Choose a focused question. Ensure it invites detailed analysis of theme, character, language or form and aligns with AO1‑AO4.
  2. Gather textual evidence. Quote directly, noting exact page or line numbers for accurate referencing.
  3. Develop a thesis. State a clear, arguable position that directly answers the question.
  4. Plan paragraphs using PEEL. Point – Evidence – Explanation – Link to the thesis.
  5. Write the introduction. Briefly set context, present the thesis, and outline the main arguments.
  6. Compose body paragraphs. Prioritise depth of analysis; each quotation must be followed by interpretation that connects to the thesis and to the relevant AO.
  7. Conclude effectively. Summarise key arguments and comment on wider significance (historical context, author’s purpose, contemporary relevance).
  8. Reference correctly. Use Cambridge style: Author, Title, Edition, Publisher, Year, page.
  9. Proofread. Check spelling, grammar, punctuation, and consistency of literary terminology.
  10. Check word count. Ensure each essay is between 600 and 1 200 words.

6. Tips for Success Across All Components

  • Start early – the breadth of the syllabus (four papers + optional portfolio) requires sustained preparation.
  • Use the PEEL model for every paragraph to keep your argument focused.
  • Balance quotations with analysis; avoid “quote‑sandwich” overload.
  • Link each paragraph back to your thesis – this maintains a clear argument thread.
  • Regularly practise past‑paper questions for Papers 1‑4 to become familiar with exam timing and question styles.
  • For unseen work (Paper 4), practice quick annotation and “mini‑essay” planning within 20 minutes.
  • Seek feedback from peers and teachers; fresh eyes catch overlooked errors.
  • Maintain an academic tone; avoid colloquial language and first‑person pronouns unless writing an empathic response (AO3).
  • Double‑check word counts, citation format, and that the correct set‑texts are used before submission.

7. Resources & References

  • Cambridge IGCSE English Literature (0475) – Teacher’s Handbook (assessment guidelines, AO rubric).
  • Cambridge IGCSE English Literature – Set‑Text List 2026 (official PDF from Cambridge website).
  • Oxford Study Guides for IGCSE English Literature – model answers and exam technique tips.
  • BBC Bitesize – literary analysis techniques and AO explanations.
  • Cambridge University Press – “How to Write an English Literature Essay” pamphlet.
  • JSTOR & Project MUSE – scholarly articles (access via school library).
  • Online citation generators (e.g., CiteThisForMe) – ensure Cambridge style compliance.
Suggested diagram: Flowchart of the essay planning and revision process (choose question → gather evidence → thesis → outline → draft → peer review → revise → proofread → submit).

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