Well‑reasoned arguments about the writer’s choices, relevance to the period, and personal or critical response where required.
AO4 – Organization & Language
Clear, logical structure; academic register; accurate spelling, punctuation and referencing.
Each component (Paper 1‑4 and Component 5) is marked against the four AOs in equal proportion (25 % AO1, 25 % AO2, 25 % AO3, 25 % AO4).
3. Official 2026 Set‑Text List
Paper 1 – Poetry (Anthology: Songs of Ourselves)
“The Tyger” – William Blake
“The World Is Too Much With Us” – William Wordsworth
“The Solitary Reaper” – William Wordsworth
“The Road Not Taken” – Robert Frost
“Daffodils” – William Wordsworth
“Ode to a Nightingale” – John Keats
“The Love Song of J. Alfred Prufrock” – T. S. Eliot
“The Soldier” – Rupert Brooke
“The Lady of Shalott” – Alfred, Lord Tennyson
“The Lamb” – William Blake
“The Charge of the Light Brigade” – Alfred, Lord Tennyson
“The Rime of the Ancient Mariner” (excerpt) – Samuel Taylor Coleridge
Paper 1 – Prose (Set‑texts)
Lord of the Flies – William Golding
The Secret Garden – Frances Hodgson Burnett
The Adventures of Tom Sawyer – Mark Twain
Paper 2 – Drama (Set‑texts)
Macbeth – William Shakespeare
Othello – William Shakespeare
The Tempest – William Shakespeare
Paper 3 – Open‑text Drama (Candidates choose one)
Any drama (published) that is studied independently and approved by the centre. Typical examples: Romeo and Juliet, Hamlet, A Streetcar Named Desire, An Inspector Calls, etc.
Paper 4 – Unseen
Two unseen extracts (one prose, one poetry) are provided on the day of the exam; no prior preparation of these texts is required.
Component 5 – Coursework Portfolio (Optional)
Essay 1: drama **or** prose set‑text (from the lists above).
Essay 2: a poem **or** a set of poems from the Songs of Ourselves anthology.
Non‑set texts may be used only with explicit teacher approval and must be comparable in scope.
4. Component 5 – Detailed Guidance
4.1 Assignment Requirements
Two formal essays (600–1 200 words each). Minimum 600 words, maximum 1 200 words.
Each essay must contain:
A clear, arguable thesis statement.
Evidence from the chosen text(s) with precise page/line references.
Critical analysis that addresses AO1‑AO4.
A bibliography in Cambridge style (author, title, edition, publisher, year, page).
One essay may be an empathic response (AO3) – personal engagement is allowed, but academic rigour must be maintained.
Submit both essays as a single PDF, clearly labelled:
4.3 Suggested 12‑Week Programme (covers all components)
Week
Focus
Key Output
1‑2
Select set‑texts, confirm essay questions, decide whether to take Component 5.
Topic‑approval sheet (teacher sign‑off).
3‑4
Close reading & annotation of drama/prose set‑texts and anthology poems.
Annotated notes with page/line references.
5
Draft thesis statements and detailed PEEL outlines for each essay.
Essay outlines (including AO focus).
6‑7
Write first drafts (≈800 words each).
Draft essays.
8
Peer‑review session – exchange drafts, give AO‑specific feedback.
Feedback sheets (AO1‑AO4 checklist).
9‑10
Revise essays, tighten argument, ensure balanced AO coverage.
Revised essays (600‑1 200 words).
11
Proofread, format, compile bibliography (Cambridge style).
Final PDF portfolio (cover page, two essays, bibliography).
12
Submit portfolio to the centre; debrief on exam technique for Papers 1‑4.
Submission receipt; personal action plan for upcoming exams.
5. Step‑by‑Step Guide to Writing the Component 5 Essays
Choose a focused question. Ensure it invites detailed analysis of theme, character, language or form and aligns with AO1‑AO4.
Gather textual evidence. Quote directly, noting exact page or line numbers for accurate referencing.
Develop a thesis. State a clear, arguable position that directly answers the question.
Plan paragraphs using PEEL.Point – Evidence – Explanation – Link to the thesis.
Write the introduction. Briefly set context, present the thesis, and outline the main arguments.
Compose body paragraphs. Prioritise depth of analysis; each quotation must be followed by interpretation that connects to the thesis and to the relevant AO.
Conclude effectively. Summarise key arguments and comment on wider significance (historical context, author’s purpose, contemporary relevance).