Students will be able to respond to one question on a poetry set‑text and one question on a prose set‑text, demonstrating the knowledge, understanding, analysis and personal response required by the Cambridge IGCSE English Literature (0475) syllabus.
| Genre | Title | Author | Key Themes / Ideas |
|---|---|---|---|
| Poetry | "The Road Not Taken" | Robert Frost | choice, individuality, regret |
| "The Tyger" | William Blake | creation, awe, duality | |
| "London" | William Blake | urban oppression, social injustice | |
| "The World Is Too Much With Us" | William Wordsworth | industrialisation, nature vs materialism | |
| "The Rime of the Ancient Mariner" | Samuel Taylor Coleridge | guilt, nature, redemption | |
| "The Lady of Shalott" | Alfred, Lord Tennyson | isolation, art, tragedy | |
| "Ulysses" | Alfred, Lord Tennyson | adventure, ageing, ambition | |
| "Ode to a Nightingale" | John Keats | transcendence, mortality, imagination | |
| "Daffodils" | William Wordsworth | nature, memory, joy | |
| "The Charge of the Light Brigade" | Alfred, Lord Tennyson | heroism, futility, patriotism | |
| "The Soldier" | Rupert Brooke | patriotism, sacrifice, idealism | |
| "Dulce et Decorum Est" | Wilfred Owen | war horror, irony, disillusion | |
| "The Love Song of J. Alfred Prufrock" | T. S. Eliot | modern alienation, self‑doubt, time | |
| "The Waste Land" | T. S. Eliot | fragmentation, post‑war disillusion, cultural decay | |
| "The Darkling Thrush" | Thomas Hardy | hope in desolation, nature’s voice | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| "The Angel" | William Blake | spiritual vision, innocence & experience | |
| Prose | "The Secret Garden" | Frances Hodgson Burnett | healing, nature, personal growth |
| "A Christmas Carol" | Charles Dickens | redemption, social criticism, compassion | |
| "The Great Gatsby" | F. Scott Fitzgerald | American Dream, illusion, class | |
| "Things Fall Apart" | Chinua Achebe | colonialism, tradition, change | |
| "Pride and Prejudice" | Jane Austen | marriage, class, gender | |
| "To Kill a Mockingbird" | Harper Lee | racism, moral growth, empathy | |
| "The Curious Incident of the Dog in the Night‑Time" | Mark Haddon | neurodiversity, truth, family | |
| "A Room with a View" | E. M. Forster | freedom, social convention, self‑discovery | |
| "The Old Man and the Sea" | Ernest Hemingway | perseverance, man vs nature, dignity | |
| "The Adventures of Huckleberry Finn" | Mark Twain | freedom, racism, moral development | |
| Drama | "Macbeth" | William Shakespeare | ambition, guilt, supernatural |
| "Romeo and Juliet" | William Shakespeare | love, fate, conflict | |
| "A Midsummer Night’s Dream" | William Shakespeare | illusion, love, order vs chaos | |
| "The Tempest" | William Shakespeare | power, colonisation, forgiveness | |
| "A Streetcar Named Desire" | Tennessee Williams | desire, reality, mental decline |
For the definitive list of set texts, always consult the official Cambridge IGCSE English Literature (0475) syllabus for the current examination series.
| Command word | What the examiner expects |
|---|---|
| Analyse | Break down language/structure; show how it creates meaning (AO3). |
| Compare | Identify similarities and differences; address both texts if required (AO1‑AO3). |
| Contrast | Focus on differences; use “while…”, “whereas”. |
| Discuss | Present a balanced argument, weighing different viewpoints (AO2‑AO4). |
| Evaluate | Make a judgement, justify with evidence; consider strengths/limitations (AO4). |
| Explore | Investigate a theme/technique in depth; may be more open‑ended. |
| Explain | Show cause/effect or reason behind a technique or theme (AO2). |
| Describe | Provide a factual account; limited analysis (AO1). |
| Interpret | Offer a personal reading supported by evidence (AO2‑AO4). |
Paragraph plan: Introduction – 3–4 body paragraphs – Conclusion
| AO | What the examiner looks for |
|---|---|
| AO1 | Accurate recall of quotations, characters, plot events and contextual facts. |
| AO2 | Clear explanation of how ideas, themes and attitudes are conveyed. |
| AO3 | Insightful analysis of language, form and structure and their effects. |
| AO4 | Well‑reasoned personal response; balanced evaluation of alternative readings. |
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