Component 2 – Drama (Paper 2)
1. What you need to know
- This paper tests your knowledge and analysis of **one set‑text drama**.
- You will answer **two questions** on the same play:
- One Passage‑Based Question (PBQ)
- One Essay Question (EQ)
- Each question is worth 25 marks (total 50 marks). Both answers must be written in the **same script**.
- All four Assessment Objectives (AO 1‑4) are **equally weighted** (25 % each). Your response must therefore address knowledge, analysis, evaluation and communication in every paragraph.
2. Set‑texts for Paper 2 (2026)
| Play |
Author |
Period / Genre |
Recommended edition (Cambridge) |
| A Midsummer Night’s Dream |
William Shakespeare |
Elizabethan comedy |
Penguin Shakespeare, 2nd ed. |
| Antony and Cleopatra |
William Shakespeare |
Elizabethan tragedy |
Penguin Shakespeare, 2nd ed. |
| Blues for an Alabama Sky |
Charles L. Mee |
Contemporary drama |
Bloomsbury, 2015 |
| A Taste of Honey |
Shelagh Delaney (original play; often published in the Cambridge IGCSE anthology) |
Post‑war realism |
Cambridge IGCSE Drama Anthology, 2024 |
3. Assessment Objectives (AO) – Cambridge definition
- AO 1 – Knowledge & Understanding: accurate recall of plot, characters, setting and language.
- AO 2 – Interpretation: analyse how language, form and structure create meaning.
- AO 3 – Critical Appreciation: evaluate the writer’s techniques and their effect on the audience.
- AO 4 – Communication: communicate a sensitive and informed personal response using appropriate literary terminology, correct spelling, punctuation and a well‑structured layout.
4. How this paper fits into the whole IGCSE 0475 programme
| Component |
Content |
Format & Timing |
Key points for students |
| Paper 1 – Poetry & Prose |
Two unseen extracts (one poetry, one prose) |
1 hour 30 min, closed book |
Focus on close reading, AO 1‑4. |
| Paper 2 – Drama (this paper) |
One set‑text drama, PBQ + Essay |
1 hour 30 min, closed book |
Know the whole play, prepare a passage bank. |
| Paper 3 – Open‑text Drama |
Two unseen dramatic extracts (different plays) |
1 hour 30 min, closed book |
Apply PBQ skills to unfamiliar texts. |
| Paper 4 – Unseen (Poetry/Prose) |
One unseen extract (poetry or prose) |
1 hour 30 min, closed book |
Practice quick analysis and planning. |
| Component 5 – Coursework (optional in some centres) |
Extended written response on a set drama (≈ 1 500 words) |
Completed over several weeks, open‑book |
Deep research, sustained argument, AO 4 emphasis. |
5. Choosing and Preparing your drama
- Read the play **twice**:
- First reading – overall plot, characters, setting.
- Second reading – focus on language, stage directions and dramatic techniques.
- Create a **passage bank** of 4‑6 extracts that illustrate:
- Key themes
- Major character changes
- Powerful stage directions or visual effects
- Record the exact reference for each extract (Act, Scene, line numbers or page numbers). This saves time during the exam.
6. Exam requirements (Paper 2)
- Closed‑book – no notes, textbooks or electronic devices.
- Write in **present tense** (e.g., “He declares…”) throughout both answers.
- Both the PBQ and the essay must be written **in the same script** (same piece of paper).
- Word‑count guidance:
- PBQ – about 150‑180 words
- Essay – about 250‑300 words
7. Command‑word guide (Cambridge)
| Command word |
What the examiner expects |
| Describe |
Give a factual account – focus on AO 1. |
| Explain |
Show cause/effect or purpose – AO 2. |
| Analyse |
Break down language, form or structure – AO 2 & AO 3. |
| Discuss |
Present a balanced argument, weighing different points – AO 3. |
| Evaluate |
Make a judgement, supported by evidence – AO 3 & AO 4. |
| Explore |
Investigate ideas in depth, considering several angles – AO 3. |
8. Passage‑Based Question (PBQ)
8.1 What the examiner looks for (mapped to AOs)
- AO 1: Identify speaker, situation and any stage directions.
- AO 2: Analyse language (diction, imagery, metaphor, rhetorical devices) and structure (punctuation, line breaks, stage directions).
- AO 3: Explain how these features develop character, theme or mood.
- AO 4: Use clear paragraphing, literary terminology, present‑tense writing and accurate quotation punctuation.
8.2 Step‑by‑step approach (with AO tags)
- Read the extract carefully. Highlight unusual punctuation, stage directions, repeated words. (AO 1 & AO 2)
- Identify speaker & context. Who is speaking? What has just happened? (AO 1)
- Choose a focus. Decide whether language, structure or a combination best answers the question. (AO 2)
- Plan a paragraph.
- Topic sentence – directly answer the command word. (AO 4)
- Evidence – embed a 1‑2 line quotation (include stage direction if relevant). (AO 1)
- Analysis – show how the feature creates an effect (e.g., irony, tension). (AO 2 & AO 3)
- Link – relate the effect back to the wider play (theme, character arc, plot). (AO 3 & AO 4)
- Write. Keep quotations short, use present tense, vary sentence structure. (AO 4)
- Proof‑read (2 min). Check spelling, punctuation, quotation marks and that every point answers the question. (AO 4)
8.3 Common pitfalls (PBQ)
- Retelling the plot instead of analysing language and structure.
- Quoting more than 2‑3 short lines or failing to punctuate quotes correctly.
- Omitting the link to the wider context of the play.
- Using past tense (“She said”) – the exam requires present tense.
9. Essay Question (EQ)
9.1 What the examiner looks for (mapped to AOs)
- AO 1: Demonstrate thorough knowledge of the whole play (plot, characters, setting).
- AO 2: Analyse a range of dramatic techniques – stage directions, irony, character contrast, soliloquy/aside, symbolism, pacing, climax and resolution.
- AO 3: Evaluate how these techniques develop the given theme, idea or character.
- AO 4: Present a logical, well‑structured response (intro, 2‑3 body paragraphs, conclusion) using appropriate terminology, present tense and accurate spelling/punctuation.
9.2 Planning the essay (with AO tags)
- Decode the command word. “Discuss” = balanced argument; “Explore” = in‑depth investigation. (AO 4)
- Brain‑storm. List all scenes, characters and techniques that relate to the theme. (AO 1 & AO 2)
- Select 2‑3 main points. Each will become a body paragraph and should draw on **different parts** of the play. (AO 1 & AO 3)
- Paragraph plan. For each point include:
- Topic sentence – state the argument. (AO 4)
- Evidence – quotation + stage direction (cite act/scene/line). (AO 1)
- Analysis – discuss language, dramatic technique and its effect. (AO 2 & AO 3)
- Link – tie back to the essay question. (AO 3 & AO 4)
- Write the essay.
- Introduction (≈30 words): Restate the question in your own words and outline the points you will discuss.
- Body (≈180‑220 words): 2‑3 paragraphs following the plan.
- Conclusion (≈30 words): Summarise the main arguments and reaffirm how the play develops the given idea.
(AO 4)
- Review (2 min). Verify that each paragraph contains a clear point, quotations are correctly punctuated, word‑count is within 250‑300 words and you have used present tense throughout. (AO 4)
9.3 Common pitfalls (EQ)
- Relying on a single scene – the essay must draw evidence from **different parts** of the play.
- Listing quotations without analysis or without linking them to the question.
- Using informal language or personal opinions that are not supported by textual evidence.
- Exceeding the word limit or writing in past tense.
10. Marking criteria overview (50 marks total)
| Level |
Knowledge & Understanding (AO 1) – 10 marks |
Analysis & Evaluation (AO 2 & AO 3) – 15 marks |
Structure & Organisation (AO 4) – 15 marks |
Language & Style (AO 4) – 10 marks |
| 9‑10 |
Thorough, accurate knowledge of the whole play and extract. |
Insightful, detailed analysis of language, form and technique; sophisticated evaluation. |
Logical, well‑sequenced paragraphs with clear linking; excellent intro & conclusion. |
Highly accurate spelling, punctuation; varied, precise vocabulary. |
| 7‑8 |
Good knowledge with minor inaccuracies. |
Clear analysis, some depth; occasional evaluative insight. |
Coherent structure; minor linking issues. |
Minor language errors; generally appropriate style. |
| 5‑6 |
Basic knowledge; some gaps. |
Limited analysis; mainly description. |
Paragraphs present but uneven; weak links. |
Frequent errors that occasionally hinder clarity. |
| 3‑4 |
Poor knowledge; many inaccuracies. |
Very limited or no analysis. |
Disorganized; missing paragraphs. |
Serious language errors. |
| 1‑2 |
Very little or no relevant knowledge. |
No analysis. |
No recognizable structure. |
Unintelligible language. |
11. Time‑management for a 1 hour 30 minute paper
- Read both questions carefully – 2 min
- Choose the drama you feel most confident with – 1 min
- Plan the PBQ (topic sentence, evidence, analysis, link) – 4 min
- Write the PBQ – 13 min
- Plan the essay (outline points, select quotations) – 5 min
- Write the essay – 13 min
- Proof‑read both answers – 2 min
These steps total 40 minutes of active planning/writing; the remaining 10 minutes act as a buffer for any unforeseen delays.
12. Checklist before submitting
- Both questions answered in the same script.
- Each answer has a clear introduction (where appropriate) and a concise conclusion.
- All quotations are accurately punctuated, referenced (act/scene/line or page), and limited to 2‑3 short lines.
- Analysis consistently links back to the question and to the wider play.
- Present‑tense language throughout; no personal annotations.
- Spelling, punctuation and grammar are correct; literary terminology is used where relevant.
- Word count: PBQ ≈ 150‑180 words; Essay ≈ 250‑300 words.
13. Quick reference diagram (optional)
Suggested flowchart: Two parallel columns – one for PBQ, one for EQ – each showing “Read → Identify → Plan → Write → Proof‑read”. This visual can be sketched on a scrap of paper during the exam to keep the process on track.